Tuesday, March 28, 2023

Jim Leftwich, Poetry and related matters (1985 - 2007)

Jim Leftwich, Poetry and related matters

1985 - 2007




BOOKS:


DOUBT, Potes & Poets, Elmwood, CT, 2000

THE CANARD, anabasis/xtantbooks, Charlottesville VA/Oysterville WA, 2002

STACEAL 1, Avanta​​cular Press, Fort Collins, CO 2002

ASEMIA, Tim Gaze, Jim Leftwich, Louise Tournay, Abdourahamane Diarra, anabasis/xtant, 2003

DEATH TEXT VOLUME ONE, xPress(ed), Espoo, Finland, 2005

DEATH TEXT VOLUME TWO, xPress(ed), Espoo, Finland, 2005

AMENABLE NOUN, (with Jukka-Pekka Kervinen), xPress(ed), Espoo, Finland, 2005

EMPTIER SIGNIFY, (with Jukka-Pekka Kervinen), xPress(ed), Espoo, Finland, 2005

TELEPHONE POLES, (with Jukka-Pekka Kervinen), xPress(ed), Espoo, Finland, 2005

THE TEXTASIFSUCH, Blue Lion Books, Espoo, Finland, 2005

SPECK, (with John M. Bennett), cPress, Espoo, Finland, 2006

ACTS, (with John Crouse), cPress, Espoo, Finland, 2006

PICE KURN, (with John Crouse & Jukka-Pekka Kervinen), cPress, Espoo, Finland, 2006

TEXTUAL ARCOLOGIES, (with Andrew Topel), cPress, Espoo, Finland, 2006

HOW TO DUST A BUNNY, (with Jukka-Pekka Kervinen), cPress, Espoo, Finland, 2006

64 ARCOLOGICAL VARIATIONS (w/Andrew Topel & Jukka-Pekka Kervinen) cPress, Espoo, Finland, 2006

MYESIS VOLUME ONE, Blue Lion Books, Espoo, Finland, 2006

MYESIS VOLUME TWO, Blue Lion Books, Espoo, Finland, 2006

SOUND DIRT, (with John M. Bennett), Luna Bisonte Prods, Columbus, OH, 2006





CHAPBOOKS:


DIRT, Luna Bisonte Prods, Columbus, OH, 1995

KHAWATIR, Runaway Spoon Press, Port Charlotte, FL, 1995

MANDALA DAMAGES, Electronic Experioddicist Chapbook Series, Florence, AL, 1996

BODIES KNOT, Juxta, Charlottesville, VA, 1996

(from) 24/7, 3300 Press/Juxta, San Francisco/Charlottesville, 1996

GNOMONCLATURE (with Jeffrey Little), Luna Bisonte Prods, Columbus, OH, 1996

SEPHER VISCERA (with Jake Berry), Juxta/Experioddicist, Charlottesville/Florence, 1997

PLASM, Marshall Creek Press, Ben Lomond, CA, 1997

THINGKS, Electronic Experioddicist Chapbook Series, Florence, AL, 1997

THE PASSION OF INDIFFERENCE, 3300 Press/Juxta, San Francisco/Charlottesville, 1997

IMPROVISATIONS TRANSFORMATIONS, Potes and Poets, Elmwood, CT, 1998

SAMPLE EXAMPLE, Luna Bisonte Prods, Columbus, OH, 1998

SPIRIT WRITINGS, Asemic Press, Kent Town, Australia 1999

DISMAYED SCRIPTS, (with Ken Harris), xtantbooks, Charlottesville, 1999

PLANKTON, xtantbooks, Charlottesville, 1999

24/7, The Exnilist(e), San Francisco, 2002 (electronic)

THE METAMORPHOSIS PROJECT (with Andrew Topel), xtantbooks & ANTO Projects, Fort Collins, CO 2002

COLLABORATIVE VISUALS (with Andrew Topel), xtantbooks & ANTO Projects, Fort Collins, CO 2002

VIRGULE, Lingua Blanca, Espoo, Finland, 2002

SHADOWED TRUTH, (with Andrew Topel), Avantacular Press, Fort Collins, CO 2002

READINGS, Structum Press, Harland, WI 2002

COVERCOVER, (w/ Tom Taylor & Andrew Topel), anabasis/xtantbooks, 2002 (29 unique booklets)

ALLIES ONE, (with Andrew Topel), xtantbooks/Avantacular Press, Fort Collins, CO 2002

FALL 2001, Muse Apprentice Guild, 2002, San Deigo (electronic)

BUMPCAMPS TROLLS, (with John Crouse), xtantbooks, Charlottesville, 2002

PETANS, (with John M. Bennett), Luna Bisonte Prods, Columbus, OH, 2002

BRAWL HAND, (with John M. Bennett), Luna Bisonte Prods, Columbus, OH 2003

LOUD WORK, (with John M. Bennett), Luna Bisonte Prods, Columbus, OH 2003

VIOLENT ORCHESTRA (with Luc Fierens), Postfluxpostbooklet #62, Weerde, Belgium 2004

ADEVANT, (with Andrew Topel), Avantacular Press, Fort Collins, CO 2004

P(t)AINTED, (with Andrew Topel), Avantacular Press, Fort Collins, CO 2004

ALLIES, (with Andrew Topel), xPress(ed), Espoo, Finland, 2004

RESISTANCE ACTS (with John Crouse), xtant email chapbook series, 2004 (electronic)

WEB OF DECEIT, (w/Topel, Taylor & Bennett), Avantacular Press, Fort Collins, CO 2005

THE APPETITES CODEX, xtantbooks, Charlottesville, 2005

PAGAN INVENTORY OF ETIC LIGHT, xtantbooks, Charlottesville, 2005

AZOIC GRIDS, xtantbooks, Charlottesville, 2005

A UNIT OF WHEELS ARMS THIS AISLE OF MIND, xtantbooks, Charlottesville, 2005

PULSING SWARMS & SQUIGGLY DIAGONALS, eIghT pAGE pREss, Espoo, Finland, 2005

O POOL, (with John M. Bennett), eIghT pAGE pREss, Espoo, Finland, 2005

REJIMMYS, (with John Crouse), unarmed press, minneapolis/st. paul, 2005

RESIST, (with Andrew Topel), Avantacular Press, Fort Collins, CO 2005

FRAGMENTS HINT, cPress, Espoo, Finland, 2005

WRIT BY ASSOCIATION, xPress(ed), Espoo, Finland, 2005

RECYCLINGS, (with Jukka-Pekka Kervinen), eIghT pAGE pREss, Espoo, Finland, 2006

HAUTE COUTURE DEATH TEXTS, eIghT pAGE pREss, Espoo, Finland, 2006

RESULTS VARY, Offerta Speciale, Torino, Italy, 2006





FROM THE INSTITUTE FOR STUDY AND APPLICATION, KOHOUTENBERG:


The Textasifsuch, edited by Jim Leftwich, xtantbooks, Charlottesville, VA, 2001

The Emanationist MomenT, edited by Jim Leftwich, xtantbooks, Charlottesville, VA, 2001

The Solipsist Alcove, edited by Jim Leftwich, xtantbooks, Charlottesville, VA, 2001

FEMMAGE, xtantbooks, Charlottesville, VA, 2001

A THEORY OF THE INDIVIDUAL, edited by Jim Leftwich, xtantbooks, Charlottesville, VA, 2002

LOVE UNDER SURVEILLANCE, xtantbooks, Charlottesville, VA, 2002

OBLIQUE POETICS, Muse Apprentice Guild, San Deigo, 2002 (electronic)






as Matrice Kubik (collaborations with Ken Harris):


BOTHAND, THE WARRIOR: A TRAGICOMEDY OF ERROWS, xtantbooks, Charlottesville, 1999

BOTHAND, THE WARRIOR: A NOVEL OF SORTS AND SORTILEGE, xtantbooks, Charlottesville, 2001




PAMPHLETS AND BROADSIDES:


EM AGON, Luna Bisonte, Columbus, OH, 1995


PLANTINGS, Luna Bisonte, Columbus, OH, 1996


HORSESHOE GRID, Luna Bisonte, Columbus, OH, 1996


TWO FOLDED BROADSIDES, Luna Bisonte, Columbus, OH, 1997


APHORISM / HORIZON, Black Fire / White Fire, Berkeley, CA 1997


LIP GATE (with John M. Bennett), Luna Bisonte, Columbus, OH, 1998


HAW NAP (with John M. Bennett), Luna Bisonte, Columbus, OH, 1998


DELETE THE ELITE, Luna Bisonte, Columbus, OH, 1999


EAI, Luna Bisonte, Columbus, OH, 1999


IDENTIFY IDENTITY, xtantbooks, Charlottesville, 2000


WE TO WHICH THUMPING, xtantbooks, Charlottesville, 2000


WAS. SPARK, xtantbooks, Charlottesville, 2000


APHIAS CEPT, xtantbooks, Charlottesville, 2000


IN THE VALLEC SHOVEL UNIFORM, xtantbooks, Charlottesville, 2000


BEAT ME UP, SCOTTIE, xtantbooks, Charlottesville, 2001


SHORT FICTIONS, xtantbooks, Charlottesville, 2001


SLIP, xtantbooks, Charlottesville, 2001


SLIP SONG, xtantbooks, Charlottesville, 2001


& E, xtantbooks, Charlottesville, 2001


WERSOME SPEEMENT GOO, xtantbooks, Charlottesville, 2001


HOTFOOT, xtantbooks, Charlottesville, 2001


GHOST SLAP, xtantbooks, Charlottesville, 2001


LING TROL, xtantbooks, Charlottesville, 2001


ELF HERSELF, xtantbooks, Charlottesville, 2001


PINK FOAM, xtantbooks, Charlottesville, 2001


TONIC CHIRR, xtantbooks, Charlottesville, 2001


SLICED VERSE, xtantbooks, Charlottesville, 2001


BABOON VIOLIN, xtantbooks, Charlottesville, 2001


MACARTHUR’S PARK, xtantbooks, Charlottesville, 2001


DIALECTIC - HISTORY - PSYCHOLOGY - INTERSUBJECTIVITY, xtantbooks, Charlottesville, 2001


MADE BY HAND, xtantbooks, Charlottesville, 2001


THE ABORIGINES ARE COMING, xtantbooks, Charlottesville, 2001


AS IF TO SAY, xtantbooks, Charlottesville, 2002


VOMIT WAR, xtantbooks, Charlottesville, 2002


OPVAL, xtantbooks, Charlottesville, 2002


EXCEPT FOR SEPTEMBER, xtantbooks, Charlottesville, 2002


EX-TEXT OF IS, xtantbooks, Charlottesville, 2002


BLUE SICK, collaboration with Reed Altemus, One One Two Broadside #1, Portland, ME, 2002


Xtantbooks BROADSIDE #2: Asemic Impressions 1 & 2: pine tree, xtantbooks, Charlottesville, 2002


Xtantbooks BROADSIDE #3: Asemic Impressions 3 & 4: pine tree, xtantbooks, Charlottesville, 2002


ASEMIC IMPRESSIONS, xtantbooks, Charlottesville, 2002


ASEMIC IMPRESSIONS 03.01.02, xtantbooks, Charlottesville, 2002


ASEMIC ENVIRONMENTS, xtantbooks, Charlottesville, 2002


GLUE STICK DIRT CALLIGRAPHY, xtantbooks, Charlottesville, 2002


ASEMIC DIRT, xtantbooks, Charlottesville, 2002


DIRT GLYPHS #s1 - 20, xtantbooks, Charlottesville, 2002


MASKS, xtantbooks, Charlottesville, 2002


IMPROVISATIONS 02.20.02, xtantbooks, Charlottesville, 2002


ASEMIC EQUATIONS, xtantbooks, Charlottesville, 2002


THINGS & NOTHINGS, xtantbooks, Charlottesville, 2002


MUTE CONJUGATED, xtantbooks, Charlottesville, 2002


FLEXIBLE INVENTION, xtantbooks, Charlottesville, 2002


71, xtantbooks, Charlottesville, 2002


H, xtantbooks, Charlottesville, 2002


OYX, xtantbooks, Charlottesville, 2002


X7, xtantbooks, Charlottesville, 2002


CPKOP, xtantbooks, Charlottesville, 2002


XXX, xtantbooks, Charlottesville, 2002


VV, xtantbooks, Charlottesville, 2002


LIBERTIES ONE, xtantbooks, Charlottesville, 2002


LIBERTIES TWO, xtantbooks, Charlottesville, 2002


MUSICAL ACCOMPANIMENT, xtantbooks, Charlottesville, 2002


STARTING POINT, xtantbooks, Charlottesville, 2002


ECTS ENT, xtantbooks, Charlottesville, 2002


OBJECTIVES OF SEPARATION, xtantbooks, Charlottesville, 2002


U, xtantbooks, Charlottesville, 2002


P, xtantbooks, Charlottesville, 2002


FREEDOM, xtantbooks, Charlottesville, 2002


RECOGNITION, xtantbooks, Charlottesville, 2002


CORROSION, xtantbooks, Charlottesville, 2002


WORD (with John M. Bennett), Luna Bisonte, Columbus, OH, 2002


COMPOSITION X, xtantbooks, Charlottesville, 2002


LAW & ORDER, xtantbooks, Charlottesville, 2002


RESEARCH, xtantbooks, Charlottesville, 2002


DESTABILIZED, xtantbooks, Charlottesville, 2002


SMOKE, xtantbooks, Charlottesville, 2002


Xtantbooks BROADSIDE #4: Asemic Impressions 5 & 6: pine tree, xtantbooks, Charlottesville, 2002


ARTSSTARRATSTSAR, (with Andrew Topel), xtantbooks, Charlottesville, 2002


LAD KALK FLAK FLALJ, xtantbooks, Charlottesville, 2002


LID FALK FKLD FAKL FAKL FAD FK (with Tom Taylor), xtantbooks, Charlottesville, 2002


NAIMANS AIAN APP KAHN, xtantbooks, Charlottesville, 2002


THE DATE 1518, xtantbooks, Charlottesville, 2002


ONLY HELP, xtantbooks, Charlottesville, 2002


AW EL EE HA (too many writings), xtantbooks, Charlottesville, 2002


PAR ES IN, xtantbooks, Charlottesville, 2002


ONS DO THE SAM OMORPHIC SH SURFACE, xtantbooks, Charlottesville, 2002


FICTION/NONFICTION, xtantbooks, Charlottesville, 2002


NOZZLE, xtantbooks, Charlottesville, 2002


EXPRESSION, xtantbooks, Charlottesville, 2002


SEE ALSO, xtantbooks, Charlottesville, 2002


LOVE LETTERS, xtantbooks, Charlottesville, 2002


PAINTED ELVIL, xtantbooks, Charlottesville, 2002


PAINTED OR AR, xtantbooks, Charlottesville, 2002


PAINTED DA, xtantbooks, Charlottesville, 2002


PAINTED EU, xtantbooks, Charlottesville, 2002


PAINTED VOC RLA, xtantbooks, Charlottesville, 2002


PAINTED OPP, xtantbooks, Charlottesville, 2002


PAINTED BLISS BE, xtantbooks, Charlottesville, 2002


PAINTED GLYPHS, xtantbooks, Charlottesville, 2002


PAINTED UT W, xtantbooks, Charlottesville, 2002


PAINTED SCONCE 6, xtantbooks, Charlottesville, 2002


PAINTED YEAR TO CALL, xtantbooks, Charlottesville, 2002


PAINTED HANDPRINTS 1, xtantbooks, Charlottesville, 2002


PAINTED HANDPRINTS 2, xtantbooks, Charlottesville, 2002


PAINTED OMOR SURFACE, xtantbooks, Charlottesville, 2002


PAINTED HW UD, xtantbooks, Charlottesville, 2002


PAINTED HOUSE, xtantbooks, Charlottesville, 2002


PAINTED NIAN APPR, xtantbooks, Charlottesville, 2002


PAINTED SE SIC SIR, xtantbooks, Charlottesville, 2002


PAINTED BURNT WOOD ASEMICS, xtantbooks, Charlottesville, 2002


PAINTED ELP, xtantbooks, Charlottesville, 2002


PAINTED SYE, xtantbooks, Charlottesville, 2002


PAINTED EA TRADITIONAL, xtantbooks, Charlottesville, 2002


PAINTED QG, xtantbooks, Charlottesville, 2002


PAINTED INSTEAD, xtantbooks, Charlottesville, 2002


PAINTED PPOO, xtantbooks, Charlottesville, 2002


PAINTED VIOLENCE, xtantbooks, Charlottesville, 2002


PAINTED FINGERPRINT, xtantbooks, Charlottesville, 2002


PAINTED PAD, xtantbooks, Charlottesville, 2002


PAINTED SERIE, xtantbooks, Charlottesville, 2002


X X, xtantbooks, Charlottesville, 2002


ERE, FA TONGUES E OF EN, xtantbooks, Charlottesville, 2002


PATIENTLY IN THE PLAZA, xtantbooks, Charlottesville, 2002


LECT, xtantbooks, Charlottesville, 2002


FUKTBOOK, xtantbooks, Charlottesville, 2002


HTENING GRIP, xtantbooks, Charlottesville, 2002


Xtantbooks BROADSIDE #5, with John M. Bennett, xtantbooks, Charlottesville, 2002


SHCHES, xtantbooks, Charlottesville, 2002


OTHERS WORK TO GET A PUBLIC, xtantbooks, Charlottesville, 2002


U.S. CULTURE IS THE INABILITY OR REFUS, xtantbooks, Charlottesville, 2002


FOR THE PUNISHMENT TOWARD DEATH HAVE LITTLE TIME, xtantbooks, Charlottesville, 2002


DIRECTLY TO BEAR WAS WOLF, xtantbooks, Charlottesville, 2002


AT THE COMB, xtantbooks, Charlottesville, 2002


THE BAG FROM THE FISHES THEMSELVES, xtantbooks, Charlottesville, 2002


THE APPARATUS, OR FELT ITSELF LOUDLY SHOUT, xtantbooks, Charlottesville, 2002


SAID, THAT, xtantbooks, Charlottesville, 2002


NOT SUCH IN SO TO ITSELF, xtantbooks, Charlottesville, 2002


FLOW OF THE TRACTORS, xtantbooks, Charlottesville, 2002


THUS FAR IT WAS TO THROW ONE TO IT, xtantbooks, Charlottesville, 2002


EN LELL VEM HYPER, xtantbooks, Charlottesville, 2002


CLNAD, xtantbooks, Charlottesville, 2002


SMATOSENATION, CHEMICAL SCENES, xtantbooks, Charlottesville, 2002


FINGERPRINT, with John M. Bennett, Luna Bisonte Prods, Columbus, OH 2002


HANDPRINT, with John M. Bennett, Luna Bisonte Prods, Columbus, OH 2002


CE CE, with John M. Bennett, Luna Bisonte Prods, Columbus, OH 2002


ETANS, with John M. Bennett, Luna Bisonte Prods, Columbus, OH 2002


MORE NATIONAL SECURITY JAZZ, xtantbooks, Charlottesville, 2003


YONDER MOUNTAIN SIGNS, xtantbooks, Charlottesville, 2003


BUT OALI APPROACHES WERE CON WE NEED, xtantbooks, Charlottesville, 2003


SOMETHING TO DO WITH THE HIGH RATE OF WAR, xtantbooks, Charlottesville, 2003


FEAR OF WHAT ARE YOU AFRAID, xtantbooks, Charlottesville, 2003


THE TGOU!, xtantbooks, Charlottesville, 2003


-E, xtantbooks, Charlottesville, 2003


EVEN THE RECENT SERIOUSLY UNITED STATES, xtantbooks, Charlottesville, 2003


THE TARANTULA IN THE PERFORMANCE, xtantbooks, Charlottesville, 2003


OURG ETC. EACH, xtantbooks, Charlottesville, 2003


VIEWS FIOUS INDI WHO KNEW, xtantbooks, Charlottesville, 2003


FET BECAUS ARE DARGER’S, xtantbooks, Charlottesville, 2003


OLD HBURG ECONOMY, xtantbooks, Charlottesville, 2003


ESSON WHO TOLD ME TWO TRUTHS, xtantbooks, Charlottesville, 2003


ABOUT HER COOKING, xtantbooks, Charlottesville, 2003


DISAGREE WITH WORK FOR THEMSELVES, xtantbooks, Charlottesville, 2003


A SWIFT CONCLUSION, xtantbooks, Charlottesville, 2003


WORKERS, xtantbooks, Charlottesville, 2003


DEPART AMEND SEPARATE, xtantbooks, Charlottesville, 2003


GRAVE OF DISCARDED LIES, xtantbooks, Charlottesville, 2003


R IS IT, xtantbooks, Charlottesville, 2003


BLURRED INSTRUC, xtantbooks, Charlottesville, 2003


BIL BBL, xtantbooks, Charlottesville, 2003


ENERGY ECONOMY, xtantbooks, Charlottesville, 2003


GUE FRENCH TWICH ND, xtantbooks, Charlottesville, 2003


TTE MO DA, xtantbooks, Charlottesville, 2003


(CLICK HERE) NON A LA GUERRE, xtantbooks, Charlottesville, 2003


SIS THIS ATERIAL IS AGAINST POLICE, xtantbooks, Charlottesville, 2003


CONSCIOUSNESS IN THE 90’s, xtantbooks, Charlottesville, 2003


CATED BODY, xtantbooks, Charlottesville, 2003


WRITTEN ALSO EIGHT, xtantbooks, Charlottesville, 2003


AND BLASPHEME TRAITORS TO ITSELF, xtantbooks, Charlottesville, 2003


SEND A POSTCARD, xtantbooks, Charlottesville, 2003


HILL HALL, xtantbooks, Charlottesville, 2003


THE SECOND VISUAL DESCRIPTIC, with John M. Bennett, Luna Bisonte Prods, Columbus, OH 2003


IN WILDNESS IS THE PRESERVATION OF THE WORLD, xtantbooks, Charlottesville, 2003


ASEMIC APRICOT, xtantbooks, Charlottesville, 2003


MEAT FEAT, (with John M. Bennett), Luna Bisonte, Columbus, OH, 2003


DIRT CLEEN, (with John M. Bennett), Luna Bisonte, Columbus, OH, 2003


HOLE, (with John M. Bennett), Luna Bisonte, Columbus, OH, 2003


REMAIN SILENT, (with Andrew Topel), Avantacular Press, Fort Collins, CO 2003


COMBUST, (with Andrew Topel), Avantacular Press, Fort Collins, CO 2003


DESTROY THUNK, (with Andrew Topel), Avantacular Press, Fort Collins, CO 2003


29 / 250, (with Ficus Strangulensis), xtantbooks, 2004


S, (with Ficus Strangulensis), xtantbooks, 2004


7 DAYS, (with Ficus Strangulensis), xtantbooks, 2004


SENT, (with John M. Bennett), xtantbooks/luna bisonte prods, 2004


FUEL, (with John M. Bennett), xtantbooks/luna bisonte prods, 2004


NIL, (with John M. Bennett), xtantbooks/luna bisonte prods,2004


LUBE, (with John M. Bennett), xtantbooks/luna bisonte prods,2004


REGENT, (with Andrew Topel), xtantbooks, 2004


THE SPACE BETWEEN, (with Andrew Topel), xtantbooks, 2004


IN THE KITCHEN, (with Andrew Topel), xtantbooks, 2004


HOOF OVEN, (with John M. Bennett), xtantbooks, 2004


CHAMBER BUBBLES, (with John Crouse & John M. Bennett), xtantbooks, 2004


KEEPING YOUR KIDS RUG-FREE, by Samuel Beckett, (with John Crouse), xtantbooks, 2004


THE EXPERIENCE OF A LIFETIME, (with John Crouse), xtantbooks, 2004


GUNK, (with John Crouse), xtantbooks, 2004


FAVORITE RIDES, (with John Crouse), xtantbooks, 2004


SOMATIC EFFE PSYCHOR, (with John Crouse), xtantbooks, 2004


CHECH, (with John Crouse), xtantbooks, 2004


TO EXPOSE ADHESIVE REMOVE LINER, (with John Crouse), xtantbooks, 2004


MAMBO SPROUTS, (with John Crouse), xtantbooks, 2004


HOPPED HIND LEGS JUMPER, (with John Crouse), xtantbooks, 2004


YELLOW C LING: THE FINAL CAMPAIGN, (with John Crouse), xtantbooks, 2004


THE YEAR OF THE WOOD DUCK, (with John Crouse), xtantbooks, 2004


MACARONI, (with John Crouse), xtantbooks, 2004


WEEPING FIG, (with John Crouse), xtantbooks, 2004


STICKER ALBUM VIOLENCE, (with John Crouse), xtantbooks, 2004


PATHWAY TO YOUR FAMIL, (with John Crouse), xtantbooks, 2004


INVITATION TO WORSHIP BATHROOM SINKS & FURNITURE, (with John Crouse), xtantbooks, 2004


BETTER SAFE THAN SORRY: THE TRAGEDY OF OTHELLO, (with John Crouse), xtantbooks, 2004


EXAMINATION BOOK NOSING AROUND FOR A REMEDY, (with John Crouse), xtantbooks, 2004


COME SLID YR DISTRESSES, (with John Crouse), xtantbooks, 2004


EMERGENCY PROCEDURES AND BEYOND, (with John Crouse), xtantbooks, 2004


PERINATAL DILEMMAS AS YOU LIKE IT, (with John Crouse), xtantbooks, 2004


DJORUZ!, (with John Crouse), xtantbooks, 2004


LLARS, (with John Crouse), xtantbooks, 2004


GOOD NEWS, (with John Crouse), xtantbooks, 2004


WEBSTER’S MUDD, (with John Crouse), xtantbooks, 2004


CLASS FIRST, (with Tom Taylor), xtantbooks, 2004


STYLISTIC SELF-PORTRAIT, xtantbooks, 2004


FREE EXPRESSION, xtantbooks, 2004


XAZ, antboo, roanoke, 2005


KUI, antboo, roanoke, 2005


NUHR, antboo, roanoke, 2005


GHIIK, antboo, roanoke, 2005


CHIN, antboo, roanoke, 2005


FACE EDGE, antboo, roanoke, 2005


RENAME, antboo, roanoke, 2005


FOR A WEEK, antboo, roanoke, 2005


HEAD AND NECK, antboo, roanoke, 2005


IN ITS EMPTINESS, antboo, roanoke, 2005


CYLINNE, antboo, roanoke, 2005


SLEEPING GREEN LIGHT, antboo, roanoke, 2005


DISCOURSE ECOLOGY, antboo, roanoke, 2005


HISTORICAL LACK, antboo, roanoke, 2005


HONE THE LIKE, antboo, roanoke, 2005


SITE NOTE, antboo, roanoke, 2005


INDECIPHERABLE AGES CONTAMINATED, antboo, roanoke, 2005


PEACCURS, antboo, roanoke, 2005


MUHN, antboo, roanoke, 2005


CONNECTIVITY THREADS, antboo, roanoke, 2005


PARAPHILOS, antboo, roanoke, 2005


WITHIN POETRY SUCH, antboo, roanoke, 2005


RUIP, antboo, roanoke, 2005


VERTEBRAL BAFFLE, antboo, roanoke, 2005


SHELTERS RENEWAL, antboo, roanoke, 2005


PROPONERION, antboo, roanoke, 2005


XOT, antboo, roanoke, 2005


RETROPATRIC, antboo, roanoke, 2005


PERMEATE THE CULTURE, antboo, roanoke, 2005


VESLME ABCLAOCIL, antboo, roanoke, 2005


MOATS ING, antboo, roanoke, 2005


ORGANIC IMAGES, antboo, roanoke, 2005


NIER, antboo, roanoke, 2005


SURFACE BECOMES, antboo, roanoke, 2005


VISEPONG, antboo, roanoke, 2005


INFAMI ANY I, antboo, roanoke, 2005


ORU SOUP, with John M. Bennett, Luna Bisonte Prods, Columbus, OH 2006


TRIANGLE MORNING, antboo, roanoke, 2006


MODEL BULB, antboo, roanoke, 2006


KINK TIME CORE, antboo, roanoke, 2006


THEN RIGHT KIT, antboo, roanoke, 2006


TILT BATH, antboo, roanoke, 2006


SHEET FUTURES, antboo, roanoke, 2006


PRINT MOISTURE, antboo, roanoke, 2006


WATER & VOLUME, antboo, roanoke, 2006


ELAPSED DEVELOPMENT, antboo, roanoke, 2006


ADJUSTABLE BORDERS, antboo, roanoke, 2006


CALCULATED FILTER, antboo, roanoke, 2006


BOTTOM BUBBLES, antboo, roanoke, 2006


SOLUTION FROM SOLUTION, antboo, roanoke, 2006


STILL FILLS, antboo, roanoke, 2006


NEGATIVE WITH THE NEGATIVE, antboo, roanoke, 2006


CLOSE PAPER, antboo, roanoke, 2006


INVERT THE OPENING, antboo, roanoke, 2006


RESET, antboo, roanoke, 2006


CORNER REMEMBER, antboo, roanoke, 2006


SHORT SHARP, antboo, roanoke, 2006


REELS SLOT, antboo, roanoke, 2006


SLIDE, antboo, roanoke, 2006


TONGUE CAMERA, antboo, roanoke, 2006


TYPE FACE EXPORTS, antboo, roanoke, 2006


TYPE FACE HAIR, antboo, roanoke, 2006


HOUSE OVER WHAT, antboo, roanoke, 2006


UNITED PRIVATIZATION, antboo, roanoke, 2006


DREAM OF ANNIHILATION, antboo, roanoke, 2006


SHOOTS FLOWERS, antboo, roanoke, 2006


DIRECT ASEMIC SUNRISE, antboo, roanoke, 2006


CONVENTIONAL SYLLABLES, antboo, roanoke, 2006


SHAPES FROM DUCHAMP, antboo, roanoke, 2006


ONCE WHOLE FOUNTAINS, antboo, roanoke, 2006


CONFINED TO ENMESHED, antboo, roanoke, 2006


SPY RING BILLIARDS, antboo, roanoke, 2006


SKELETON SHIPPING BOWL, antboo, roanoke, 2006


MORNING DRINKING DECEPTIONS, antboo, roanoke, 2006


HAT WHICH WORKERS, antboo, roanoke, 2006


CLEAR WAR, antboo, roanoke, 2006


CONCERNED MUSIC, antboo, roanoke, 2006


STABLE BOUNDARY, antboo, roanoke, 2006


SPAWNED WICKET, antboo, roanoke, 2006


SPREADING, antboo, roanoke, 2006


ASIDE & LOOK, antboo, roanoke, 2006


LEAK HUMAN, antboo, roanoke, 2006


LONG THESE, antboo, roanoke, 2006


PERPETRATE TO YOURSELF, antboo, roanoke, 2006


WORDS IN THEM, antboo, roanoke, 2006


SUBJECT THOUGHT YOU, antboo, roanoke, 2006


CONFIGURATION, antboo, roanoke, 2006


DRAWING & OTHERS, antboo, roanoke, 2006


HAS LEFT, antboo, roanoke, 2006


THE SAME, antboo, roanoke, 2006


PROCEDURAL, antboo, roanoke, 2006


THREATS, antboo, roanoke, 2006


SPELLING THE READER, antboo, roanoke, 2006


POEM BY NEEDS, antboo, roanoke, 2006


THE DEVELOPMENTS, antboo, roanoke, 2006


AMERICAN FLAVORED NOISE, antboo, roanoke, 2006


WARNING, antboo, roanoke, 2006


PLEASE DO NOT, antboo, roanoke, 2006


RING FETCH, antboo, roanoke, 2006


MORPHEME CONVEYS MACHINE, antboo, roanoke, 2006


BLANK STADIUM, antboo, roanoke, 2006


ACTIVITIES LEARN DESIRE, antboo, roanoke, 2006


THOUGHTS TRANSGRESSION, antboo, roanoke, 2006


MULTIPLE GLASS, antboo, roanoke, 2006


TREE AVENUE, antboo, roanoke, 2006


SUCH DECEMBER, antboo, roanoke, 2006


VALUES SOLE, antboo, roanoke, 2006


PEAK ENOUGH, antboo, roanoke, 2006


FELT, antboo, roanoke, 2006


THEY, antboo, roanoke, 2006


ORBIT, antboo, roanoke, 2006


ANIMALS, antboo, roanoke, 2006


SWAY, antboo, roanoke, 2006


ROSE, antboo, roanoke, 2006


PROBES, antboo, roanoke, 2006


WORK, antboo, roanoke, 2006


SPRING CHEMISTRY, antboo, roanoke, 2006


PLEASURE OF LIBERTIES, antboo, roanoke, 2006


THREE YEARS, antboo, roanoke, 2006


PLUTOCRACY, antboo, roanoke, 2006


MOON TROUBLE, antboo, roanoke, 2006


SONAL, antboo, roanoke, 2006


PALM, antboo, roanoke, 2006


RADIO, antboo, roanoke, 2006


RANK, antboo, roanoke, 2006


AS SO, antboo, roanoke, 2006


MUCH THE KEY, antboo, roanoke, 2006


SHOCK, antboo, roanoke, 2006


OVER ABOVE, antboo, roanoke, 2006


ACCEPTS, antboo, roanoke, 2006


TRAP, antboo, roanoke, 2006


BELL EVE, antboo, roanoke, 2006


KNOT VOTE, antboo, roanoke, 2006


ATTACKS, antboo, roanoke, 2006


REPLICA, antboo, roanoke, 2006


POLICY, antboo, roanoke, 2006


ECONOM, antboo, roanoke, 2006


MEASURES, antboo, roanoke, 2006


AT SENSE, antboo, roanoke, 2006


LISTENING SUPPOSE, antboo, roanoke, 2006


HOTEL WHERE, antboo, roanoke, 2006


CONFEDERATION OF LUNCHES, antboo, roanoke, 2006


ACTIVIST BALLAD, antboo, roanoke, 2006


DEMOGRAPHIC, antboo, roanoke, 2006


INNOCENTS AGAINST, antboo, roanoke, 2006


EXISTING CONDITIONS, antboo, roanoke, 2006


ALTERS, antboo, roanoke, 2006


IDEOLOGICAL OCCUPATION, antboo, roanoke, 2006


HEAR OUR, antboo, roanoke, 2006


FEW AGAIN, antboo, roanoke, 2006


WITHOUT THE HIDDEN FIST, antboo, roanoke, 2006


GENERATES, antboo, roanoke, 2006


TRAMP LED, antboo, roanoke, 2006


ON COMMON AROUND, antboo, roanoke, 2006


MODEST CRISIS, antboo, roanoke, 2006


VIGOR & STARK, antboo, roanoke, 2006


SCIENCE WHO SKIN, antboo, roanoke, 2006


SIMILAR SOURCE, antboo, roanoke, 2006


FEW POEM, antboo, roanoke, 2006


VIDEO CIVILIZATION, antboo, roanoke, 2006


ARE CLOUD, antboo, roanoke, 2006


SECRET EVEN IN SUCCESS, antboo, roanoke, 2006


SYMPTOMS, antboo, roanoke, 2006


FIELD ALONG, antboo, roanoke, 2006


SETS, antboo, roanoke, 2006


PLEDGE, antboo, roanoke, 2006


MULTIPLICITY, antboo, roanoke, 2006


ODDS, antboo, roanoke, 2006


VERGE OF BLAME, antboo, roanoke, 2006


WORK PAST, antboo, roanoke, 2006


NEXT, antboo, roanoke, 2006


SINC REPARD, antboo, roanoke, 2006


ELECRIC SHORE, antboo, roanoke, 2006


DEAD SALE, antboo, roanoke, 2006


STOP THE WAR, antboo, roanoke, 2006


WAR IRAQ, antboo, roanoke, 2006


SOUL BIRTHDAY, antboo, roanoke, 2006


CLEANER WAGE, antboo, roanoke, 2006


WANTON LINK, antboo, roanoke, 2006


HAS CIVIL, antboo, roanoke, 2006


ALLIANCES CONTEXT, antboo, roanoke, 2006


VERY ENDED AND, antboo, roanoke, 2006


HISTORICAL REALITIES INTENDED, antboo, roanoke, 2006


PROCESS, antboo, roanoke, 2006


FELT CAUSE, antboo, roanoke, 2006


CONE LINE, antboo, roanoke, 2006


DURING NOT BECAME, antboo, roanoke, 2006


HOW, antboo, roanoke, 2006


OF BREATH, antboo, roanoke, 2006


TECHNICS, antboo, roanoke, 2006


HER THINKS, antboo, roanoke, 2006


THING HIMSELF, antboo, roanoke, 2006


VOTE CLINIC, antboo, roanoke, 2006


EDISTRIBUTIVE, antboo, roanoke, 2006


WHEN STREAM ALMOST STOP, antboo, roanoke, 2006


BURNT ACCORD, antboo, roanoke, 2006


DAMAGE, antboo, roanoke, 2006


DUE WASHINGTON, antboo, roanoke, 2006


SELECTED TEXT REPEATED, antboo, roanoke, 2006


SUN MUSIC, antboo, roanoke, 2006


WAR SIGN, antboo, roanoke, 2006


THE RECURSIVE, antboo, roanoke, 2006


SO CLOSING, antboo, roanoke, 2006


THAT AND WE, antboo, roanoke, 2006


ANY, antboo, roanoke, 2006


COUNCIL, antboo, roanoke, 2006


LIMITS, antboo, roanoke, 2006


CLEAR SINCE, antboo, roanoke, 2006


FLAME FISH, antboo, roanoke, 2006


HORIZONTAL SERIES, antboo, roanoke, 2006


CERTAIN SPEAK, antboo, roanoke, 2006


PATTERN SWELLS, antboo, roanoke, 2006


THE OTEREITH, antboo, roanoke, 2006


SORS TULA, antboo, roanoke, 2006


THAT HE IS THE IRRELEVANT, antboo, roanoke, 2006


OVICEASEAS, antboo, roanoke, 2006


EXISTING CONDITIONS AFGHANISTAN, antboo, roanoke, 2006


RIE SREM, antboo, roanoke, 2006


NEXT MORNING, antboo, roanoke, 2006


GRAND UNUG, antboo, roanoke, 2006


OPINION THUS AID, antboo, roanoke, 2006


RIM DREAD, antboo, roanoke, 2006


WAS BEEN, antboo, roanoke, 2006


BLOOD WEB, antboo, roanoke, 2006


ISMS ARE PISTOLS, antboo, roanoke, 2006


SNARES SYLLABLES, antboo, roanoke, 2006


BOTH VIETNAM, antboo, roanoke, 2006


ONE REASON, antboo, roanoke, 2006


THOSE WE DISLIKE, antboo, roanoke, 2006


WORD PLANT, antboo, roanoke, 2006


WITH SOME BUT, antboo, roanoke, 2006


SECRET MAHT, antboo, roanoke, 2006


TANT, antboo, roanoke, 2006


LIANSA, antboo, roanoke, 2006


SHROOERA, antboo, roanoke, 2006


ELBOWS EGGS, antboo, roanoke, 2006


X-NOW BETA, antboo, roanoke, 2006


SELVES BANCING, antboo, roanoke, 2006


THE OTA, antboo, roanoke, 2006


MELODIOUS BURNED, antboo, roanoke, 2006


VALUES WHERE LONG, antboo, roanoke, 2006


TEAM MUNCH, antboo, roanoke, 2006


SPECIAL UPSETTING, antboo, roanoke, 2006


COUR THE FEET, antboo, roanoke, 2006


SHEETS QUITE, antboo, roanoke, 2006


DEVOLVE CENTRAL CHANCE, antboo, roanoke, 2006


GOES ARE THIS, antboo, roanoke, 2006


MOMENTS MORALITY, antboo, roanoke, 2006


BOUND FURNITURE, antboo, roanoke, 2006


PURPLE FISH, antboo, roanoke, 2006


SOME THINGS WERE NEVER MEANT TO BE MAILED, antboo, roanoke, 2006


SORT FOOD, antboo, roanoke, 2006


AS HER AESTHETIC, antboo, roanoke, 2006


REALAESTHETIK THURSDAY, antboo, roanoke, 2006


DIEES, antboo, roanoke, 2006


DURING AFGHANISTAN, antboo, roanoke, 2006


SENSE OF PROSTHESIS, antboo, roanoke, 2006


PHONE BOO, antboo, roanoke, 2006


CHANGE AND ALLY, antboo, roanoke, 2006


OARS ARE CHEMICAL SLINKS, antboo, roanoke, 2006


CONVENTIONS OF VIOLENCE, antboo, roanoke, 2006


ONLY SAID ONLY, antboo, roanoke, 2006


THOSE, antboo, roanoke, 2006


COMMUNE MOST, antboo, roanoke, 2006


DOOR BOL, antboo, roanoke, 2006


BEGAN, antboo, roanoke, 2006












FOLDED BROADSIDES SELECTED FROM THE CANARD, BOOK 1


jects, xtantbooks, Charlottesville, VA, 2001


one summer day, through the zoo, xtantbooks, Charlottesville, VA, 2001


tects, xtantbooks, Charlottesville, VA, 2001


in both directions of herself, xtantbooks, Charlottesville, VA, 2001


barbarity, xtantbooks, Charlottesville, VA, 2001


nects, xtantbooks, Charlottesville, VA, 2001


self indeed (and exception), xtantbooks, Charlottesville, VA, 2001


of roads filled with written drugs, xtantbooks, Charlottesville, VA, 2001


from 5000 BC: 210 feet long, xtantbooks, Charlottesville, VA, 2001


themes: activities: feelings, xtantbooks, Charlottesville, VA, 2001


that is empty speculation, xtantbooks, Charlottesville, VA, 2001


construction: passage: attunement, xtantbooks, Charlottesville, VA, 2001


in particular, xtantbooks, Charlottesville, VA, 2001


that, xtantbooks, Charlottesville, VA, 2001


volute || lotion, xtantbooks, Charlottesville, VA, 2001


quired plies, xtantbooks, Charlottesville, VA, 2001


lightning, xtantbooks, Charlottesville, VA, 2001


the raw umbrella, xtantbooks, Charlottesville, VA, 2001


construction: residue, xtantbooks, Charlottesville, VA, 2001


hero, xtantbooks, Charlottesville, VA, 2001


fraud, xtantbooks, Charlottesville, VA, 2001


distracts from lack, xtantbooks, Charlottesville, VA, 2001


didacticism, xtantbooks, Charlottesville, VA, 2001


marketplace, xtantbooks, Charlottesville, VA, 2001


onions, xtantbooks, Charlottesville, VA, 2001


enough, xtantbooks, Charlottesville, VA, 2001


the face of the horizon, xtantbooks, Charlottesville, VA, 2001


evidence, xtantbooks, Charlottesville, VA, 2001


the false title, xtantbooks, Charlottesville, VA, 2001


a rupt, xtantbooks, Charlottesville, VA, 2001


cosmology, xtantbooks, Charlottesville, VA, 2001


state and market, xtantbooks, Charlottesville, VA, 2001


scale of the prison, xtantbooks, Charlottesville, VA, 2001


document, xtantbooks, Charlottesville, VA, 2001





FROM THE INSTITUTE FOR STUDY AND APPLICATION, KOHOUTENBERG, AS:


Anmassend Bekehrt, carpocrates, xtantbooks, Charlottesville, VA, 1999

Anmassend Bekehrt, irredentist fictions, xtantbooks, Charlottesville, VA, 1999


Augen Konne, plasmabridge, xtantbooks, Charlottesville, VA, 1999

Augen Konne, skinlapse, xtantbooks, Charlottesville, VA, 1999

Augen Konne, wunderkammern, xtantbooks, Charlottesville, VA, 1999


Feito Zahlt & Anmassend Bekehrt, Lucentezza, xtantbooks, Charlottesville, VA, 1999

Feito Zahlt, Rosa de Lima contra Warhol, xtantbooks, Charlottesville, VA, 1999

Feito Zahlt, Cowdung, xtantbooks, Charlottesville, VA, 1999

Feito Zahlt, Deliria, xtantbooks, Charlottesville, VA, 1999

Feito Zahlt, Very different concepts of matter, xtantbooks, Charlottesville, VA, 1999

Feito Zahlt, Tyner / Trane / Gayle, xtantbooks, Charlottesville, VA, 1999

Feito Zahlt, Wild Card, xtantbooks, Charlottesville, VA, 1999


Augen Konne, 5 Poems, xtantbooks, Charlottesville, VA, 2001


Rühe Lucentezza, Concrescent Poetry, xtantbooks, Charlottesville, VA, 2002


Xse Oge, Calamities of the Word, xtantbooks, Charlottesville, VA, 2002


Xtantbooks Broadside #1: Civilizza, Oge, Tiche, xtantbooks, Charlottesville, VA, 2002


Billy Tiche, Blank, xtantbooks, Charlottesville, VA, 2002


Croire Civilizza, 6 Poems, xtantbooks, Charlottesville, VA, 2002


Anmassend Bekehrt, In A Book Space = Time, xtantbooks, Charlottesville, VA, 2002

Anmassend Bekehrt, Text vs Book vs Text, xtantbooks, Charlottesville, VA, 2002

Anmassend Bekehrt, Sequence, xtantbooks, Charlottesville, VA, 2002


Billy Tiche, e son of ab miah, xtantbooks, Charlottesville, VA, 2002

Billy Tiche, with also over gold (1 Kings 6:22), xtantbooks, Charlottesville, VA, 2002


Amparo Cruz, PACKT, xtantbooks, Charlottesville, VA, 2002





XTANT CH(E)APBOOKS


ANIMAL ARCHITECTURE, xtantbooks, 2001


CONCEPTUAL EXPRESSIONISM, xtantbooks, 2001


MINIMAL EXPRESSIONISM, xtantbooks, 2001


A NOTE ON THE FAILURE OF STRUCTURE: LIMIT DESIGN, xtantbooks, 2001


PRISMATIC BAR HANGING BY ITS OWN WEIGHT, xtantbooks, 2001


FROM BIRD TO TRANE, xtantbooks, 2001


THE PEN THE TAPE AND THE CARDBOARD USED TO MAKE THIS WORK, xtantbooks, 2001


APHORISMS and WORKSPACE: A VISUAL SYNTAX (as Batente Queceux), xtantbooks, 2001


ARTAUD: REVELATIONS OF BEING, xtantbooks, 2001


ect, xtantbooks, 2001


REALITY BYTES, xtantbooks, 2001


CRIMES & FB, xtantbooks, 2001


NO POSTAGE MOWING. xtantbooks, 2001


MASTERPIECES: ART ART: There is little empirical basis for the guiding assumption of this art, that what is insignificant once becomes great after ten thousand times., xtantbooks, 2001


HAVOC, xtantbooks, 2001


SELF-PORTRAIT, xtantbooks, 2001


TRUTH, xtantbooks, 2001


boc sep jod hib, xtantbooks, 2001


IN THE MOUTHS AS FRIGHTENING AS THE HISTORICAL FACTS, xtantbooks, 2001


POLIETICAL, xtantbooks, 2001


THE BASTARDS, xtantbooks, 2001


GHOSTS, xtantbooks, 2001


GARDEN OF FIDD: HANDWRITTEN PLASTIC CRUSHAGE, xtantbooks, 2001


EPHEMERAL SALMON MORALITY, xtantbooks, 2001


HISTORY — PSYCHOLOGY, xtantbooks, 2001


ARGOT, xtantbooks, 2001


THE DAILY HORRORS IN FARAWAY BRUTALISED PLACES, xtantbooks, 2001


CORRESP, xtantbooks, 2001


OF OUR / ONE OF FAMILIES, xtantbooks, 2001


AFGHANISTAN, OF THE CIA, xtantbooks, 2001


ASEMIC ANTI-WAR SONGS 1 & 2, xtantbooks, 2001


GRAMMAR BEGINS WITH THE LETTER, xtantbooks, 2001


THE OUTSIDE WORLD, xtantbooks, 2001


THEN NEED / WITH WANT, xtantbooks, 2001


SHADOW DRIVE, xtantbooks, 2001


STORM, xtantbooks, 2001


HOW FAR, xtantbooks, 2001


RECALL, xtantbooks, 2001


THE IMAGE, xtantbooks, 2001


GIVES, xtantbooks, 2001


IN TERMS OF DADA, xtantbooks, 2001


LEAF, xtantbooks, 2001


BLUE SYNTAX, xtantbooks, 2001


1959, xtantbooks, 2001


FOLKS, xtantbooks, 2001


INGREDIENTS, xtantbooks, 2001


ANARCHICAL COMMONALITY, xtantbooks, 2001


AESTHETIC SURFACES, xtantbooks, 2001


VARIATIONS, xtantbooks, 2001


DORSAL BUNDLE (SING), xtantbooks, 2001


UPSIDE DOWN, xtantbooks, 2001


TYPOGRAPHY, xtantbooks, 2001


PACKET FOR M, xtantbooks, 2001


STATEMENT, xtantbooks, 2001


EXPERIMENTALLY CALCULATING IALE, xtantbooks, 2002


MILES DAVIS, xtantbooks, 2002


RECORD AND SEND MESSAGE OPTIONS, xtantbooks, 2002


JOHN BENNETT COLLABORATIONS, 413 pp., xtantbooks, 2002


TEXT IMAGE SIGN BOX, xtantbooks, 2002


INSIDE THIS BOX BOX, xtantbooks, 2002


STRETCH BOX, xtantbooks, 2002


MAGICK WIPE KIT BOX, xtantbooks, 2002


TIES, xtantbooks, 2002


ASEMIC ANTI-WAR SONGS 3, xtantbooks, 2002


ASEMIC ANTI-WAR SONGS, with Marilyn Damman, xtantbooks, Charlottesville, 2002


BREAD, xtantbooks, 2002


OXFORD POCKET GUIDE TO THE VIRGIN ISLANDS, xtantbooks, 2002


JIMLEFTWICHXTANTBOOKS03.20.02, xtantbooks, 2002


INTRAVENOUS ROPE, xtantbooks, 2002


JOHN M. BENNETT LUNA BISONTE PRODS MAPS ETC, xtantbooks, 2002


M, xtantbooks, 2002 (miniature)


OSSIBLE GOLD, xtantbooks, 2002


TOPICS IN CELL BIOLOGY: GESTURAL ABSTRACTION, xtantbooks, 2002


CONTENT, xtantbooks, 2002


BLADE, xtantbooks, 2002


HOWL TO PANHANDLE YOUR ILLEGAL PROBLEMS, xtantbooks, 2002


THE DISTINCTI VOICE, xtantbooks, 2002


TAX DAY, xtantbooks, 2002 (miniature)


AMONG THE INNUMERABLE PRIVACIES, xtantbooks, 2002


THE LITERARY REVOLUTION CANNOT BE STOPPED, xtantbooks, 2002


THURSDAY, APRIL 18, 2002, xtantbooks, 2002 (miniature)


PAGE 3 THROUGH 11, xtantbooks, 2002 (miniature)


GO, xtantbooks, 2002 (miniature)


TEXT IN FISH, xtantbooks, 2002 (miniature)


ART BOOK, xtantbooks, 2002 (miniature)


WRITING, xtantbooks, 2002 (miniature)


04.23.02, xtantbooks, 2002


POEM, xtantbooks, 2002


CRUSHAGE, xtantbooks, 2002


STRIPBOOK 1, xtantbooks, 2002 (miniature)


STRIPBOOK 2, xtantbooks, 2002 (miniature)


PRISM, xtantbooks, 2002


PREPARED PENS, xtantbooks, 2002


SHOCKED (Dadaist Tool Kit Collaboration with Rita McNamara), xtantbooks, 2002


ViUhrgSfReQ, xtantbooks, 2002


FOUNDS, xtantbooks, 2002


SPECTRUM AND SIGNATURE, xtantbooks, 2002


IMAGES IN ABSENTIA, xtantbooks, 2002


LminusAminusNminusGminusUminusAminusGminusEminus, xtantbooks, 2002


GOING OUT OF BUSINESS SALE, xtantbooks, 2002


sazu z yuy, xtantbooks, 2002


YIQGI, xtantbooks, 2002


VISUALSOUND TRASH POEMS, xtantbooks, 2002


THE MARYLAND DOCUMENT, xtantbooks, 2002


REAL FASHION. REAL VALUE, xtantbooks, 2002


FAIRFIELD INN & SUITES, xtantbooks, 2002


BURST, xtantbooks, 2002


FRAGILE, xtantbooks, 2002


SHINGLE, xtantbooks, 2002


EXTRA BRIGHT, xtantbooks, 2002


SLANT TEXT, xtantbooks, 2002


ERO S ION, xtantbooks, 2002


MEMOS FROM KLEZ, xtantbooks, 2002


SHADOW GOVERNMENT, xtantbooks, 2002


WOMAN, xtantbooks, 2002


DEATH TEXT (Books 1 - 5: The Haute Couture Mix), xtantbooks, 2002


NOISES, xtantbooks, 2003


BROWN, (with John Crouse), xtantbooks, 2003


NINE, (with John Crouse), xtantbooks, 2003


FRAMING PRESTOS BEHEADED FLIPPED, (with John Crouse), xtantbooks, 2003


WAR BABE, xtantbooks, 2003


WAR IS DECEPTION #’s 1-7, xtantbooks, 2003


DEATH TEXT (Books 1 - 7), xtantbooks, 2003


DEATH TEXT (uncounted versions, ongoing, Books 1-9), xtantbooks, 2003 - 05


A HISTORY (several thousand pages, in a few dozen volumes), xtantbooks, 2001 - 2003


EROS CRISTALDI, vacuole press, charlottesville, va, 2003


Berifiturumpo, vacuole press, charlottesville, va, 2003


POPON BEQUGS INAMERED, vacuole press, charlottesville, va, 2003


EERIE SWIMSUIT, vacuole press, charlottesville, va, 2004


THE POETRY INDUSTRY, vacuole press, charlottesville, va, 2004


Envelope Book #1, (with John Crouse), xtantbooks, 2004


Envelope Book #2, (with John Crouse), xtantbooks, 2004


Real Leg Mist, (with John M. Bennett), xtant / luna bisonte prods, 2004


Hand Brake Lever Hack, (with John M. Bennett), xtant / luna bisonte prods, 2004


What Would Jesus Do?, xtantbooks, 2004


Apothecary Volcano, xtantbooks, 2004


Iris Rhizome, xtantbooks, 2004


The Time Has Come, xtantbooks, 2004


Remember!, xtantbooks, 2004


R/EYE SEL FRS, xtantbooks, 2004


March (San-yue), xtantbooks, 2004


Score Report, xtantbooks, 2004


Infiltration, xtantbooks, 2004


A Staceal 5, xtantbooks, 2004


The Poetry Lounge, xtantbooks, 2004


My Offering, xtantbooks, 2004


Facts, xtantbooks, 2004


Wagyu, xtantbooks, 2004


The Charlottesville Guide To War and Sex and Money, xtantbooks, 2004


I Am America!, xtantbooks, 2004


39 June 2008, xtantbooks, 2004


Death Text One, xtantbooks, 2004


Lamp Sand Death Text, xtantbooks, 2004


The Fourth World War: Labor Day, 2004, xtantbooks, 2004


Nitze’s Children, xtantbooks, 2004


Some, xtantbooks, 2004


ZO, xtantbooks, 2004


Blue Out, xtantbooks, 2004


Growth, xtantbooks, 2004


We’ll Beat, xtantbooks, 2004


Cobia, xtantbooks, 2004


Kubota, xtantbooks, 2004


The Zero, xtantbooks, 2004


Rod Setup Commonwealth, xtantbooks, 2004


Rapala, xtantbooks, 2004


Pure Music, xtantbooks, 2004


Ed, xtantbooks, 2004


This Is How You Want To Live, xtantbooks, 2004


Standard, xtantbooks, 2004


All Of 15, xtantbooks, 2004


Climbers Swing, xtantbooks, 2004


Canal Towpath, xtantbooks, 2004


Global Upon, xtantbooks, 2004


Pacific Fleet, xtantbooks, 2004


Flaghat Kid, xtantbooks, 2004


America, xtantbooks, 2004


Money Laundering & Drugs, xtantbooks, 2004


Crorch Bluh, xtantbooks, 2004


Heather, xtantbooks, 2004


Rigs, xtantbooks, 2004


Raid, xtantbooks, 2004


XZK, xtantbooks, 2004


Fat And, xtantbooks, 2004


The Re, xtantbooks, 2004


PIECE: Anarchy is not a men’s movement. That’s capitalism, xtantbooks, 2004


Live Complete Life Today, xtantbooks, 2004


Assigned Task, xtantbooks, 2004


Piedmont Area Real, xtantbooks, 2004


Car Bomb NOFX, xtantbooks, 2004


Shirts and Sh*t, xtantbooks, 2004


Free, xtantbooks, 2004


Private Appealing Property, xtantbooks, 2004


Mont Virginia, xtantbooks, 2004


Duke Merrik, xtantbooks, 2004


3800 / DT / 466E, xtantbooks, 2004


Monocan 9, xtantbooks, 2004


OU, xtantbooks, 2004


Epic Rides For Fat, xtantbooks, 2004


n One TE, xtantbooks, 2004


Essential Trients?, xtantbooks, 2004


Vol. 12, xtantbooks, 2004


In Addition, xtantbooks, 2004


Summons, xtantbooks, 2004


Crayon Resist, xtantbooks, 2004


East Be, xtantbooks, 2004


Middleditch, xtantbooks, 2004


Lindal Cedar, xtantbooks, 2004


Excite Builds, xtantbooks, 2004


Tradition, xtantbooks, 2004






ANTBOOKS


Untitled Document, antboo, 2004


Speak Truth To Power, antboo, 2005


Hammermill Peace, antboo, 2005


Anti-War Aught Death Mandalas, antboo, 2005


Blank Enemy, antboo, 2005


Ille Nis, antboo, 2005


Text Text, antboo, 2005


Rob Spa, antboo, 2005


Steps One Through Five, antboo, 2005


Code of Conduct, antboo, 2005


Annual Humanities Report, antboo, 2005


Waste Management Injustice, antboo, 2005


Only Natural That, antboo, 2005


Eng ring, antboo, 2005


Unrave he mystery, antboo, 2005


Family of Contents, antboo, 2005


Tone Notebook, antboo, 2005


Deep Fried Freedom, antboo, 2005


Nutrition Serving America, antboo, 2005


Kandinsky College, antboo, 2005


Tho Nateonal Socurety Stratogy Of Tho Unetod Statos Of Amoreca, antboo, 2006


Re: Ellatio 26, antboo, 2006


A Broif Hostory Of U.S. Ontirvintoons: 1945 to thi Prisint, antboo, 2006


At Fat Hat, antboo, 2006


Re: Memo Book, antboo, 2006


Chosen Sayings on the Oak Sheets & Rant Emag, antboo, 2006


The Photos, antboo, 2006


Realism & Experience, antboo, 2006






XTANTCH(E)APBOOKS from The Institute For Study And Application, Kohoutenberg


IN ORDER TO PREVENT MISCONSTRUCTION: A Special Report From The Institute For Study And


Application, Kohoutenberg, xtantbooks, 2001


ENDURING: A Special Report From The Institute For Study And Application, Kohoutenberg,


xtantbooks, 2001


OBLIQUE POETICS, xtantbooks, 2001 (3 unique books)


XSE OGE, xtantbooks, 2001


XSE OGE, Banal Proverbs, xtantbooks, 2001


XSE OGE, Postmodern Koans, xtantbooks, 2001


VARIABLE LOGICS, xtantbooks, 2001


UNDERBRUSH SOUP LEXICON, xtantbooks, 2001


SPIT, xtantbooks, 2001


SHOTHAND, xtantbooks, 2001


RETORICO UNENTESI, HA’ABLA NOTEBOOK, xtantbooks, 2001


CONCRESCENT POETRY, xtantbooks, 2001


AN ENCRYPTION OF NOTHING, xtantbooks, 2001


ANTI/ANTE, xtantbooks, 2001


STATE OF THE UNION, xtantbooks, 2002


RETORICO UNENTESI, GHOST-DICK OF THE MULLAH, xtantbooks, 2002


AMPARO CRUZ, PAKT, xtantbooks, 2002


RUHE LUCENTEZZA, CONCRESCENT POETRY, xtantbooks, Charlottesville, 2003






ASEMIC BOOKLETS ON STAPLED INDEX CARDS


Zawn/Karst (10 unique booklets), xtantbooks, Charlottesville, 2001


BLOTS, xtantbooks, Charlottesville, 2001


KAMBHANA (the retention of air), xtantbooks, Charlottesville, 2001


SAMIDHENI (firewood verses), xtantbooks, Charlottesville, 2001


TWITCHES, xtantbooks, Charlottesville, 2001


SRAUTA (solemn ritual), xtantbooks, Charlottesville, 2001


PURAKA (the intake of breath), xtantbooks, Charlottesville, 2001


RECAKA (the emission of breath), xtantbooks, Charlottesville, 2001


BLOTCHES, , xtantbooks, Charlottesville, 2001


INTELLIGIBLE / UNINTELLIGIBLE, xtantbooks, Charlottesville, 2001


DARSAPURNAMASA (full and new moon rituals), xtantbooks, Charlottesville, 2001


VEDANGA (disciplines), xtantbooks, Charlottesville, 2001


SCRAWLS, xtantbooks, Charlottesville, 2001


GRHYA (domestic ritual), xtantbooks, Charlottesville, 2001


SCRATCHES, xtantbooks, Charlottesville, 2001


SASTRA (traditional discipline, traditional science), xtantbooks, Charlottesville, 2001


FISSURES, xtantbooks, Charlottesville, 2001


MARMAS (psycho-sexual power zones), xtantbooks, Charlottesville, 2001


SQUIGGLES, xtantbooks, Charlottesville, 2001


VAMA MARG, (the left-hand path), xtantbooks, Charlottesville, 2001


DAUBS, xtantbooks, Charlottesville, 2001


JERKS, xtantbooks, Charlottesville, 2001


RAJ (king, to stretch out the hand), xtantbooks, Charlottesville, 2001


UNINTELLIGIBLE / INTELLIGIBLE, xtantbooks, Charlottesville, 2001


LURCHES, xtantbooks, Charlottesville, 2001


UNINTELLIGIBLE / INTELLIGIBLE (2), xtantbooks, Charlottesville, 2001


SCRAPES, xtantbooks, Charlottesville, 2001


SAMIDH, xtantbooks, Charlottesville, 2001


SMEARS, xtantbooks, Charlottesville, 2001


LOOPS, xtantbooks, Charlottesville, 2001


DRAVYA (substance of the oblation), xtantbooks, Charlottesville, 2001


UJANA — SADHANA (the walk against the current), xtantbooks, Charlottesville, 2001


TYAGA (the formula of renunciation), xtantbooks, Charlottesville, 2001


TAN CASM (eyes of the body), xtantbooks, Charlottesville, 2001


YAJAMANA (patron of the ritual), xtantbooks, Charlottesville, 2001


DEVATA (deity to whom the recitations and chants are addessed), xtantbooks, Charlottesville, 2001


B, xtantbooks, Charlottesville, 2002


BB, xtantbooks, Charlottesville, 2002


CCC, xtantbooks, Charlottesville, 2002


Gilded Asemics (3 versions), xtantbooks, Charlottesville, 2003


Emprientes 1, antboo, Charlottesville, 2005


Emprientes 2, antboo, Charlottesville, 2005


Emprientes 3, antboo, Charlottesville, 2005





TICKETBOOKS


D=MCX, xtantbooks, Charlottesville, 2003





POSTCARDS


09.14.01 (3 sets, 16 cards each), xtantbooks, Charlottesville, 2001


Conservatives Denounce Dissent / A Gauge of Public Values, xtantbooks, Charlottesville, 2001


Afghanistan, xtantbooks, Charlottesville, 2001


Bill of Rights, xtantbooks, Charlottesville, 2001


amok lihu, xtantbooks, Charlottesville, 2001


en ar, xtantbooks, Charlottesville, 2001


the references are exclusive and urgently unclear, xtantbooks, Charlottesville, 2001


Metaphorical Artifacts, xtantbooks, Charlottesville, 2002


Visual Poetry Collaboration #4, OETRYP Editions, Portland, ME, 2002


Visual Poetry Collaboration #5, OETRYP Editions, Portland, ME, 2002


Visual Poetry Collaboration #6, OETRYP Editions, Portland, ME, 2002





BUSINESS CARD TEXTS





WORKBOOK CARD SETS 1 - 3 (10 cards each), xtantbooks, Charlottesville, 2001





VIZPO NOTEPADS


with Scott MacLeod, xtantbooks, Charlottesville, 2002


with Scott MacLeod, xtantbooks, Charlottesville, 2006





ARTISTS’ BOOKS WITH ESSAYS



THINGS RESCUED FROM ETERNAL NONEXISTENCE, xtantbooks, Charlottesville, 2001 (57 unique books)


essays included:


Useless Writing

Six Insane Impulses to Art-Making

Things to Forget

The Road of Excess Leads to the Palace of Excess

another failed attempt to photograph reality

Give Up



NO SUCH THING AS REPETITION, xtantbooks, Charlottesville, 2001 (37 unique books)


essays included:


Don’t Believe Everything You Think

Asemic Calligraphy

No One Has Ever Gotten Anything Right

Transition Probabilities

Trust, Realaesthetik, and the Texture of a Stochastic Past

Left to die



CORNY, DUMB, IGNORANT AND SILLY, xtantbooks, Charlottesville, 2001


VERTICAL RHYTHMIC DISJUNCTION, xtantbooks, Charlottesville, 2001


THE ORIGIN OF LINEAGE IN THE PRESCIENCE OF CONTEXT, xtantbooks, Charlottesville, 2001


MARKS. LETTERS. VOCABLES. SOUNDS., xtantbooks, Charlottesville, 2001 (4 unique books)


THE PETE SPENCE POEMS, 800 pp. visual poetry, 2 notes & 4 lists, xtantbooks, Charlottesville, 2001


ANNUAL REPORT OF THE AMERICAN MANIFESTO SOCIETY, xtantbooks, Charlottesville, 09.11.2004





ESSAYS:


Paradox As Texture: After Deciding Against Collage, Electronic Experioddicist #7, 1995

Paradox As Texture: After Deciding Against Collage, Worcs Aloud Allowed, Vol. 11, #12, 1996

Khawatir: As a beginning, Worcs Aloud Allowed, 1995

Khawatir: Ongoing, Worcs Aloud Allowed, 1995

Transducing Liberation, PRIME SWAY, John M. Bennett, Texture Press, 1996

An Absence Personified, THE SASHA POEMS, John High, Juxta/3300 Press, 1996

Where the Story’s Walled: John M. Bennett’s BLIND ON THE TEMPLE, Po’Flye ElectroMATIC, 1996

Same Stream Twice: Lesser Marks in Taylor’s DAILY LOGS, May 28.95, Neologisms #1, 1996

Same Stream Twice: Lesser Marks in Taylor’s DAILY LOGS, Po’Flye ElectroMATIC, 1996

A Note On Vincent Ferrini, Split Shift, 1996

In Brambu Drezi, IntuiT #1, 1997

From a Letter to the Author, DOOR DOOR, John M. Bennett, Juxta/3300 Press, 1997

Umgathama, Brambu Drezi, Book 2, Jake Berry, Pantograph Press, 1997

Kalkaino, Electric Guild (electronic), 1998

Admonitor Klitor, John M. Bennett & Serge Segay, 1999

A Symposium Emerging From Tim Gaze, THE OXYGEN OF TRUTH, Broken Boulder Press, 2000

John M. Bennett’s Swarming Present, ROLLING COMBERS, Potes & Poets Press, 2001

Where the Story’s Walled: John M. Bennett’s BLIND ON THE TEMPLE, The Exnilist(e), 2002

A Few Thoughts On A Few Notes, xtant two, 2002

Useless Writing, ANOTHER SOUTH, University of Alabama Press, 2002

A Lexeography of The Sasha Poems, Muse Apprentice Guild, 2002 (electronic)

Mark Sonnenfeld’s Jewish Hair and Neptune, Muse Apprentice Guild, 2002 (electronic)

marks. letters. vocables. sounds., Muse Apprentice Guild, 2002 (electronic)

Vertical rhythmic disjunction, Muse Apprentice Guild, 2002 (electronic)

Watch Your Step, Muse Apprentice Guild, 2002 (electronic)

Useless Writing, Muse Apprentice Guild, 2002 (electronic)

Six Insane Impulses to Art-Making, Muse Apprentice Guild, 2002 (electronic)

Things to Forget, Muse Apprentice Guild, 2002 (electronic)

The Road of Excess Leads to the Palace of Excess, Muse Apprentice Guild, 2002 (electronic)

another failed attempt to photograph reality:, Muse Apprentice Guild, 2002 (electronic)

Give Up, Muse Apprentice Guild, 2002 (electronic)

Don’t Believe Everything You Think, Muse Apprentice Guild, 2002 (electronic)

Asemic Calligraphy, Muse Apprentice Guild, 2002 (electronic)

No One Has Ever Gotten Anything Right, Muse Apprentice Guild, 2002 (electronic)

Transition Probabilities, Muse Apprentice Guild, 2002 (electronic)

Trust, Realaesthetik, and the Texture of a Stochastic Past, Muse Apprentice Guild, 2002 (electronic)

Left to Die, Muse Apprentice Guild, 2002 (electronic)

On Grenier, Muse Apprentice Guild, 2002 (electronic)

On P. Inman, Muse Apprentice Guild, 2002 (electronic)

Subjective Asemic Postulates, ASEMIC THEORIES, by Andrew Topel, Annihilator Press (Australia) 2003

Subjective Asemic Postulates, xtant 3, Charlottesville / Oysterville, 2003

Subjective Asemic Postulates, Open World Magazine, Beograd, Jugoslavia, 2003

Visual Writing: An Exchange (with Tom Hibbard), wordforword (electronic), 2003

singing the flat opaque, afterword to Asemia, anabasis xtant, 2003

Paradox As Texture: After Deciding Against Collage, Pavement Saw, 2004

translated, afterword to As A Boy, by Luc Fierens, anabasis xtant, 2004

A Brief Bible of Defiant Reading, xtant 4, Charlottesville / Oysterville, 2004

After Deciding Against Collage (Collage Version), Bananafish 18, San Francisco, 2004

Collaboration, Bananafish 18, San Francisco, 2004

Rhythm, Bananafish 18, San Francisco, 2004

Subjective Asemic Postulates, Signal: International Review For Signalist Research, , Belgrade, Serbia, 2004

Prefatory Notes For Topel’s Sign Language, Avantacular Press, Fort Collins, 2005

Text For Death Texts Exhibit, Sechiisland Microgallery, Rio Claro, Brasil, 2005

Misreading The Pyrrolic, in Azoic Grids, xtantbooks, Charlottesville, 2005

Poetries of Investigation & Inclusion, in A Unit of Wheels Arms This Aisle of Mind, xtantbooks, 2005

Death Text & The Haute Couture Death Text Images, anabasis/xtant blogspot, Canada, 2005

Every Word Is An Adverb, Admit 2, 2005 (electronic)

Rea Nikonova: PEACE/transplant, Russian Literature Vol LIX – II/III/IV, The Netherlands, 2006

Rite, textimagepoem 03.26 – 04.01.06, electronic, 2006

Counterfeit, textimagepoem 03.26 – 04.01.06, electronic, 2006

400 Years of Jamestown, textimagepoem 03.26 – 04.01.06, electronic, 2006

Framed, textimagepoem 03.26 – 04.01.06, electronic, 2006

A Private Piracy, textimagepoem 03.26 – 04.01.06, electronic, 2006

Contagion of the Text, textimagepoem 03.26 – 04.01.06, electronic, 2006

Prolegomena to a Manifeasto, textimagepoem 03.26 – 04.01.06, electronic, 2006

Manifeasto, textimagepoem 03.26 – 04.01.06, electronic, 2006

Visual Writing, textimagepoem 02.19 – 02.25.06, electronic, 2006

Text, textimagepoem 02.19 – 02.25.06, electronic, 2006

Improvisational Enallage, textimagepoem 02.19 – 02.25.06, electronic, 2006

Ex Nihilo Ad Absurdam, textimagepoem 02.19 – 02.25.06, electronic, 2006

A Few Thoughts Emerging From The Unarticulated Text, textimagepoem 02.19–25.06, electronic, 2006

Scrape, textimagepoem 02.19 – 02.25.06, electronic, 2006





POEMS published in small press magazines, with year(s) of publication


Five Fingers Review, 85, 86, 87


Art For A Better World, 87


Ink, 87


The Sow’s Ear Journal, 93


The Red Cedar Review, 93


Sycamore Review, 94


Artemis, 94


Mind In Motion, 94


Now And Then, 94


Tin Wreath, 94


Lost and Found Times, 94, 95, 96, 97, 98, 99, 00, 01, 02, 03, 04, 05


Tight, 94, 95, 96, 97, 98


Clockwatch Review, 95


Score, 95, 97, 00, 03, 04


O!!Zone, 95, 98, 99-00


Texture, 95


Experioddicist (electronic), 95, 96, 97, 98


Transmog, 95, 96, 97


Indefinite Space, 95, 97


New Orleans Review, 95, 98


Anabasis, 95


Taproot Reviews, 95, 96


Lilliput Review, 95


Beehive, 95


Driver’s Side Airbag, 95


Plain Brown Wrapper, 95


Blank Gun Silencer, 95


Found Street, 95, 96


Torque (Canada), 95


Worcs Aloud Allowed, 95, 97, 98


Vision Project (electronic), 96


Lyric &, 96


Antenym, 96, 98


Shattered Wig, 96


Clown WR, 96, 00


Generator, 96, 99, 00


IntuiT, 96


Neologisms, 96, 97, 98


33 Review, 96


Glossolalia (Finland) (electronic), 96


Nerve BundleReview, 96


Reparation De Poésie (Canada), 96, 98


Juxta/Electronic 16 (Collaborations), 96


Lynx Eye, 96


Woodenhead Review, 96, 97


Bullhead (print and electronic), 96, 97


PoFly Electro-Matic, 96


Central Park, 97


Rag Shock, 97


ant, ant, ant, ant, 97


Peaky Hide, 97, 98


Syntactics, 97


Nexus, 97


Prosodia, 97


gestalten, 97, 98, 99, 00, 03, 04


Teraz Mowie, 97


Pacific Coast Journal, 97


AE2 (electronic), 97


Potepoetzine (electronic), 97, 99


Rrat (Australia), 97, 01


Faltblatt (Germany), 97


Lucid Oona, 97


Lost and Found Times, 98, 99, 00, 01, 02 (as characters from The Institute for Study and Application)


Typographikal Errow, 98 (as characters from The Institute for Study and Application)


Koja, 98


Misc Project, 98


First Offense (England), 98


The Attic, 98


Mani Art (France), 98, 01


Talisman, 98


The Notebook Project (Belgium), 98


Dimensao (Brazil), 98


Angle, 98


asemic (Australia), 98, 99, 00


Basinski, a zine of the arths, 99


Neotrope, 99


Broken Boulder Broadsides, 99


Heaven Bone, 99


Idiolect (electronic), 99


Collaborations (House Press), 99


Litterature, 99 (as characters from The Institute for Study and Application)


Vapor/Strains, 99


Collaborations, 00 (Canada)


Van (Canada), 2001, 02, 03


Mark Sonnenfeld’s Give Out Sheet, 2001, 05


xtant, 2001, 02, 03, 04


S - exposition, 2001


Pense Aqui (Think Here) (Brazil), 2001, 03, 04, 05, 06, 07


Spoliation, 2001, 02, 03, 04


Bric A Brac (England), 2001, 02, 03, 04


Farrago, 2002, 03


Van (Canada), 2001, 02 (as characters from The Institute for Study and Application)


Indefinite Space, 2002 (as characters from The Institute for Study and Application)


Conundrum, 2002


The Exnilist(e), 2002 (electronic)


Poethia, 2002 (electronic)


Unarmed, 2002, 03, 04, 05, 06


Der Heidenlarmer, 2002 (as characters from The Institute for Study and Application)


The Philentropist, 2002


Bnetzine, 2002, 2003 (Italy)


Word For Word, 2002, 03, 04, 05 (electronic)


Open World Magazine, 2002, 03, 04, 05, 06, 07 (Yugoslavia)


Chickenscratch, 2002, 04 (electronic)


DEB, 2002, 03, 04, 05, 06 (France)


YE, 2003, 04 (Germany)


The Secret World of Pascal Lenoir, 2002, 03, 04, 05, 06 (France)


Muse Apprentice Guild, 2002, 03 (electronic)


Generator 12, 2002, 03, 04, 05, 06 (electronic)


Impetus, 2003 (electronic)


Lynx, 2003, 04, 05 (electronic)


Answer Shirker, 2003


CorresponDances, 2003


XStream, (Finland), (electronic) 2003, 04


Friour Network Magazine: Conversations After Sept. 11 (Belgium), 2003


Blackbox, 2003, 04 (electronic)


New York Nights, 2003


Stardust Memories Zine (Amsterdam), 2003


5 x 9, (Canada), 2003


Hat, (Canada), 2003, 04


El Paraiso, (Spain), 2003


Near South, 2003


El Mail Tao, 2003, 04 (Germany)


Pavement Saw, 2004


Sleepingfish, 2004


Expect, (Finland) (electronic) 2004


Deep Cleveland (electronic) 2004


In Your Memory, (France) 2004


Wryting, (Finland), (electronic) 2004


Friour Network Magazine: Refugees, (Belgium), 2004


OPOM, (Canada), 2004


Naked Sunfish, (electronic), 2004


Poetic Inhalation, (electronic), 2004, 05


Blazevox, (electronic), 2004


Bananafish, 2004


dbqp: visualizing poetics, (electronic), 2004


Signal: International Review For Signalist Research, (Serbia), 2004


Great Works (electronic) 2004


Linguablanca, (electronic), (Finland), 2004


Zunai, (Brasil), (electronic), 2004


Homo Numero 13, (Spain), 2005


fhole (Canada), 2005


mpersnd, (electronic), 2005


beard of bees, (electronic), 2005


Moria, (electronic), 2005


The Argotist, (electronic), 2006 (England)


Zafusy, (electronic), 2006


Admit 2, (electronic), 2006


Synapse, 2006 (England)


Bizarre Cities, 2006 (Belgium)


Whistling Shade, 2006


Sugar Mule, (electronic), 2006


Plantarchy, 2006


Circulaire 132, 2006 (Canada)


Recycling Art, 2006 (Italy)


Canal Blog (Thierry Tillier), 2006, 07 (Belgium)


Epidermis, (electronic), 2007 (Finland)






VISUAL POETRY and MAIL ART EXHIBITS


Circles of Friends (collaboration with photographer John Van Balen), SFSU, 1985


Mostra Euro-Americana De Poesia (Brazil), 1996


Chiapas Mail Art Exhibition (Mexico and Uruguay), 1997, 1998


VI International Biennial of Experimental Poetry (Mexico), 1998


Chances Are Exhibit (Australia), 1998


Highland Cultural Center Mail Art Exhibit, 1998


The Cosmic Cross Exhibit (Germany), 1999


Amnistia Internacional: No A La Pena De Mort (Spain), 1999


Reverent Writings Exhibit, Columbus College of Art and Design, 2000


An American Avant-Garde: First Wave, Rare Books and Manuscripts Library, OSU, 2001


Massena Artists Association Mail Art Exhibit, 2001


Mail Art Visual Poetry Exhibit, Belgium, 2001


Everyday Shrines and Little Altars, Wexford County Public Library, Cadillac, Michigan, 2002


The Magic of Water, Santa Susanna, Spain, 2002


A.R.T. Acronyms, London, UK, 2002


Galleriechickenscratch, electronic exhibit, 2002, 04


An American Avant-Garde: A Second Wave, Rare Books and Manuscripts Library, OSU, 2002


Cornucipiae, Belgium, 2002


Spleen: Melancholie Blanc & Noir, Arras, France, 2002


The Fabric of Life, Canada, 2002


What Is Mail Art?, Massena, NY, USA, 2002


The Magic of Fire, Santa Susanna, Spain, 2002


Nobel Peace Project, Ontario, Canada 2003


Nobel Peace Project, Ontario, Canada 2004


El Mail Tao: International Journal on Mail Art History Today, Germany, 2004


Sing & Shadow Mail Art project, Dejan Bogojevic, Valjevo, Serbia, 2004


Death Texts Exhibit, Sechiisland Microgallery, Rio Claro, Brasil, 2005


Visual Poetry Exhibit at Harvard, Cambridge, UVA 2005


Bob Dylan’s 64th Birthday, (electronic), 2005


Homage To Guillermo Deisler, (electronic), 2005


Does Peace Have A Color, Castel San Pietro Terme, Italy, 2005


The M.A.R.S. PROJECT, Longview, WA, 2005


Nobel Peace Project, Nobel, Ontario, Canada, 2005


Nobel Peace Project, Nobel, Ontario, Canada, 2006


Mobile Arts Road Show Exhibit, Longview, WA, 2006


No Meat Today, Gent, Belgium, 2006


Peace / No More War, Los Altos, CA, 2006


Culture: Mail - Peace – Art, Vancouver, Canada, 2006


Shadow & Evil in Fairytales, Trail, BC, Canada, 2006


The First 500 Years of Mona Lisa, Castel San Pietro Terme, Italy, 2006


Mail Art & Visual Poetry Exhibit, Galleria Hutto, Helsinku, Finland, 2006


Visual Poetry Exhibit, Ubu Studio Art Gallery, Portland, ME, 2006


A Plea To Forsake, Phillipston, MA, 2006


Metamorphosis, Barakaldo, Spain, 2006


The World of Jazz, Barcelona, Spain, 2006


War or Peace, Florianopolis, Brazil, 2006


poesia visiva at artestudio, ponte nossa, Italy, 2007


Parade of Animals, Trail, BC, Canada, 2007




SCRAPBOOK


Scraps Book: experiment in collaborative living (for Ken Harris),Vols. 1 - 5, xtantbooks, Charlottesville, 2001




FRAMED FOUND OBJECTS, with Cathy Bennett, xtantbooks, Charlottesville, 2002




ANTHOLOGIES


LOOSE WATCH: A Lost and Found Times Anthology, Invisible Books, England, 1999


ANOTHER SOUTH, The University of Alabama Press, 2002


SPIDERTANGLE: The Book, Xexoxial Editions, Dreamtime Village, WI, 2002


THE JUNE 30th MANIFESTO, Luna Bisonte Prods / Stamp Pad Press, 2004


FIVE MILLION COPIES: A First Gathering, Luna Bisonte Prods/IMP, 2005


SUGAR MULE: An Anthology of Textual Collaborations, 2007





PHOTOGRAPHY EXHIBIT


Toy Soldier and Garbage, Imagined Gallery, San Francisco, 1999





AUDIOTAPES AND SCORES


score:piano (for Ken Harris), 1998


Piano Sounds, Live In The Kitchen, 1512 Mountainside Ct, Charlottesville, 08.09 – 08.11. 2001


Percussion: Sounds Rite, 08.23.01


Paper Music / Bubble Wrap, 08.24.01


Piano: 08.11.01 and 4:33 (Versions 1 - 10): 08.31.01


Ouzo & Kudzo Are Dead, 07.24.03 (Spoken Noise Cassette)


Share Gap Chart / Peach Crotch Map, guitar & vocals, 03.27.04


Leg Whiff Inch, guitar & vocals, 03.28.04


Moot Jam Musk, guitar & vocals, 04.02.04


Bubble Wrap 2, Summer 2006


Collaborative Scores (with Jukka-Pekka Kervinen), 2006





CD (Sound Poems)


The Be Blank Consort (Bennett, Peters, Helmes, Ernst), Luna Bisonte Prods, Columbus, OH, 2003





CDS (Noise and Mixes)


Masters of War, Vols. 1 & 2, 2006


Sweet Suit, 2006


Voices: Goodbye: Hello, 2006


Armagideon Together, 2006





DANCE SCORE


SHAPES/SCRIPTS (for Amy Trussell), 1998





PERFORMANCE SCORE


LOOT: A Homeophonic Ballet Score for 3 or More Performers (for Scott MacLeod), 2001





CALENDARS


by Baron, for the year 2003 (w/Bennett, Strangulensis, & Helmes), Cleveland, OH, 2003


by Cathy Bennett, for the year 2005, (with Cathy & John Bennettt), Columbus, OH, 2005





VIDEOS


#1 RALPH EATON’S PERFORMANCES OF VISUAL/SOUND POEMS, 05.04.02

#2 READINGS, ASEMICS, INK ETCHINGS, LETTERSMEARS, DIRT GLYPHS, 05.10.02, 05.11.02

#3 ASEMIC CALLIGRAPHY, BURNT WOOD ASEMICS, SCANS, LETTERSMEARS, 05.12.02

#4 SPRAY PAINTING MAIL ART, SPOLIATION, LETTER, MAKING BOOK, 05.13.02, 05.14.02

#5 ADD & PASS SHEETS, LETTER, REV. JOHNNY BLAKEY, 05.14.02, 05.17.02

#6 INSTITUTE READINGS, LARGE CARDBOARD ZAUMS, DOUBT, VOCABLES ESSAY 05.18.02

#7 VISUAL SOUND POEMS, 05.20.02

MARK, STIMULUS, NOISE, with Ralph Eaton, May/June 2002


Live Here, Work Here #2, (with jukka-pekka kervinen), 2006

Live Here, Work Here #3, (with jukka-pekka kervinen), 2006

Live Here, Work Here #4 (Copies), (with jukka-pekka kervinen), 2006

Live Here, Work Here #5 (Narrative), (with jukka-pekka kervinen), 2006

Allelulia, (with jukka-pekka kervinen), 2006

Xsa=Switch, (with jukka-pekka kervinen), 2006

Xsa=Walk, (with jukka-pekka kervinen), 2006

Table, (with jukka-pekka kervinen), 2006

Morph #1, (with jukka-pekka kervinen), 2007

Morph #2, (with jukka-pekka kervinen), 2007

Morph #3, (with jukka-pekka kervinen), 2007

Morph #4, (with jukka-pekka kervinen), 2007

Morph #5, (with jukka-pekka kervinen), 2007

Morph #6, (with jukka-pekka kervinen), 2007

Window 4a, (with jukka-pekka kervinen), 2007

Window 4b, (with jukka-pekka kervinen), 2007





INTERVIEWS


with John M. Bennett, Muse Apprentice Guild, November 2002 (electronic)


with Serkan Isin, Zinhar (Turkey), 2006 (electronic)




AUTOBIOGRAPHY


Bioletters, Contemporary Author’s Autobiography Series, #25, 1996





ARCHIVES


The Jim Leftwich Papers, Ohio State University, Rare Books Collection, Columbus, OH


(http://www.lib.ohio-state.edu/OSU_profile/rarweb/finding/leftwich.html)


The Sackner Archive of Concrete and Visual Poetry, Miami Beach, FL


Archive of Artistic Works And Projects (Ruggero Maggi), Milano, Italy


The International Copy Art Archive (Reed Altemus), Portland, ME


EXP Archive (Jukka Lehmus), Esbo, Finland


Bibliotheca Gullbiana, Grevenbicht, The Netherlands


Vortice Argentina (Fernando Garcia Delgado), Buenos Aires, Argentina


Sechiisland International Library (Roberto Sechi), Rio Claro, Brazil


Centre International de Poésie, Marseille, France


Sztuka Fabryka Archive, (Geert De Decker), Tielrode, Belgium


Museo Internationale de neu Art, (Ed Varney), Courtenay, Canada


Artpool, (Gyorgy Galanti), Budapest, Hungary


Cultural Center, Ministry of Culture, (Clemente Padin), Montevideo, Uruguay





EDITORIAL WORK


editor (with Ken Harris), Juxta, #’s 1 - 9, 1994 - 2000


editor (with Ken Harris and Chris Daniels), Juxta, # 10, 2000


editor (with Ken Harris), Juxta Chapbooks Series, #s 1 - 12, 1995 - 1997


editor, Juxta/Electronic, #’s 1 - 26, 1995 - 1998


editor, Juxta Broadsides Series, #s 1 - 3, 1996 - 1997


editor (with Don Hilla), Juxta/3300 Chapbooks Series, #s 1 - 14, 1996 - 1997


editor (with Jake Berry), JUXTA/EXPERIODDICIST Chapbook, 1997


guest editor, PotePoetZine # 6, 1997


editor (with Ken Harris), xtant one, 2001


editor (with Ken Harris), xtantbooks chapbooks series, 1999 - 2001


editor (with Scott MacLeod and Tom Taylor), xtant two, 2001


editor, anabasis xtant press (with Tom Taylor), 2001 - 2005


assistant editor, POETHIA (electronic), 2002 - 2003


editor (with Tom Taylor, Scott MacLeod, and Andrew Topel), xtant three, 2003


editor (with Tom Taylor, Scott MacLeod, Andrew Topel, Michael Peters & Tim Gaze), xtant four, 2004


editor, xtant email chapbook series, 2004


editor, xtantbooks chapbooks series, 2004


editor (with Michael Peters), xtant 5, 2007


editor, antboo, 2004 –


editor, textimagepoem blog zine, 2005 –


editor, (with jukka-pekka kervinen), no simple matter blog zine, 2005 –


editor, visual writing blog zine, 2006 -






ASSEMBLINGS


Bo Peep, A Magazine of the Arts, Version .001, June 2004


Bo Peep, A Magazine of the Arts, Version .002, June 2004


Bo Peep, A Magazine of the Arts, Version .003, June 2004


Bo Peep, A Magazine of the Arts, Version .004, July 2004


Bo Peep, A Magazine of the Arts, Version .005, July 2004


Bo Peep, A Magazine of the Arts, Version .006, August 2004


Bo Peep, A Magazine of the Arts, Version .007, August 2004


Bo Peep, A Magazine of the Arts, Version .008, Fall 2005


Bo Peep, A Magazine of the Arts, Version .009, Fall 2005


Bo Peep, A Magazine of the Arts, Version .010, Fall 2005


Bo Peep, A Magazine of the Arts, Version .011, January 2006


Bo Peep, A Magazine of the Arts, Version .012, January 2006


Total War #1, October 2004


Total War #2, October 2004


Total War #3, November 2004





COMMENTARY


Michael Basinski, on Khawatir, in Taproot Review, 1995


John M. Bennett, on Khawatir, in Taproot Review, 1995


Bob Grumman, on Khawatir, Small Press Review, 1995


Susan Smith Nash, on Khawatir, in Witz 4.1, Spring, 1996


Chris Daniels, on Mandala Damages, in Vision Project #6, 1996


Jake Berry on 24/7, in IntuiT, 1996


Lawrence Upton on Sample Example, on the Web at New Hope International, 1998


Michael Basinski on Sample Example, in Lagniappe 1.1, 1998


Michael Basinski, on 24/7, in Basinski, a zine of the arths, No. 1, 1998


John M. Bennett, introduction to The Jim Leftwich Papers, 2000


Bob Grumman, on Doubt, in Small Press Review, Vol. 32, #s 11/12, 2000


Tim Gaze, Asemic Writing & Art — a new stream of culture, 2000


Bob Grumman, in DICTIONARY OF THE AVANT-GARDES, ed Richard Kostelanetz, 2001


Peter Ganick, on Doubt, 2002


Tom Hibbard, introduction to Readings, Structum Press, 2002


John M. Bennett, An American Avant-Garde: Second Wave, in NY Arts, 2002


John M. Bennett, The Blank Generation: An American Avant-Garde, Exhibit Catalogue, OSU, 2002


Jake Berry, Structures of Alchemical Anarchy, Muse Apprentice Guild, 2002, San Deigo (electronic)


Tom Hibbard, Oblique Poetics: Non-Existence as Mask, Muse Apprentice Guild, 2002, San Deigo


(electronic)


Michael Basinski, on Staceal 1, in The Hold, 2002 (electronic)


Bob Grumman, on Croker Norge, in Small Press Review, Vol. 34, #s 11/12, 2002


Michael Basinski, on Bumcamps Trolls, in The Hold, 2003 (electronic)


Michael Basinski, on DEATH TEXT BOOK 5, in The Hold, 2003 (electronic)


Peter Ganick, on Death Text, 2003


Ron Silliman, on Spidertangle: The Book, blog, 2003 (electronic)


Geof Huth, Visual Poetry & Personal Experience, in dbqp: visualizing poetics, 2004 (electronic)


Allan Bramhall, on my readings of John M. Bennett, blog, 2004 (electronic)


Michael Basinski, on Asemia, in The Hold, 2004 (electronic)


Geof Huth, Visual (and Other) Poets against the War, in dbqp: visualizing poetics, 2004 (electronic)


Geof Huth, Asemia Becomes You, in dbqp: visualizing poetics, 2004 (electronic)


Geof Huth, Levels of Collaboration, in qbdp: the mailart works, 2005 (electronic)


Geof Huth, Copying Art The Altemus Way, in dbqp: visualizing poetics, 2005 (electronic)


Geof Huth, Alphacards, in qbdp: the mailart works, 2006 (electronic)


Geof Huth, Flame Flower, in qbdp: the mailart works, 2006 (electronic)


Geof Huth, Eyes, Lips, Nose, Chin, Shoulder, Word, in dbqp: visualizing poetics, 2006 (electronic)






BLOGS &:


textimagepoem, a visual poetry & mail art blog zine, 2005 –


no simple matter (w/ jukka-pekka kervinen), experiments in poetry & politics, 2005 -


poemimagetext, 2005 -


textimagetext, 2005 -


thetextasifsuch, 2005 -


death text, 2005 -


visual writing, 2006 -


flickr: textimagepoetry 2006 -


wiki: textsimagespoems, 2007 -


boklist: the art of books & small print publications (group blog with guido vermuelen)


telephone poles (with jukka-pekka kervinen), 2005


amenable noun (with jukka-pekka kervinen), 2005


trashworks (with jukka-pekka kervinen), 2005


collaborative projects (with jukka-pekka kervinen), 2005 -


postcard variations (with jukka-pekka kervinen), 2005 - 06


adverbial objects (with jukka-pekka kervinen), 2005


emptier signify (with jukka-pekka kervinen), 2005


copy/write (with jukka-pekka kervinen), 2005


history sweat (with jukka-pekka kervinen), 2006


circulations: experimental & visual poetry (with jukka-pekka kervinen), 2006 -


ombooktoco: experimental writings (with jukka-pekka kervinen), 2007 –


videopoems, (with jukka-pekka kervinen), 2007 -


  Writing Against Itself jim leftwich 2016 , when thinking about the letter... if we start with nothing, blank paper / blank screen, and beg...